Representing the experimental (he would call it 'multi-dimensional'!) end of the spectrum, Erik-Peter's masterful compositions, songs and recordings are typified by a hybrid writing style which combines Medieval and Renaissance modal synthesis with Baroque and Classical counterpoint and harmonic language, all suffused with Romantic passion, in order to create pieces of symphonic & sweeping orchestral impact.

If you imagine the epic film scores of composer John Williams, you're on the right track to imagining Erik-Peter's music-- however, to get all the way there, you also need to imagine all of the above becoming fused with bouncy pop, rock, folk and dance grooves and traditions.

Erik-Peter, or EP, is equally at home with each of these techniques and styles. His wide-ranging music shows us that he is just as capable of creating a strictly Baroque fugue on subjects as varied as the melodies of 'Mr. Softee' and 'Hey Jude', as he is in combining the varied stylistic elements of rock, Gregorian Chant, and classic Hollywood (with the occasional touch of flamenco guitar) as he has done in some of his more recent creations, such as his popular song 'Blue Skies' and the film-score worthy 'Dragon Song'.

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